Give Yourself Permission

DSC_0710dddblogPermission. To take time. To dedicate that time to oneself, to one’s dream(s). To do.

This seems like such a simple thing. Yet it is quite profound. Giving ourselves permission.

I give myself permission to play, to experiment, to listen . . . to my characters, to myself. I give myself permission to see what happens next.

Some days I just give myself permission to do nothing at all, at least nothing that seems or feels productive in the sense of creating new poems or chapters, or work for my day job. Ironically, however, those are some of the most productive days as they give us back essential parts of ourselves–energy, equanimity, strength, hope.

My good friend Terry and I experienced a week full of bliss recently during West of the Moon from the beautiful birth of his grandson to heartfelt moments of joy shared with our retreaters to a number of moments when those retreaters gave themselves permission . . . to play . . . to just be who they are . . . to create without preconceptions . . . without judgment . . . but mostly to listen (to their souls, their hearts, the deep down parts of themselves).
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Making Time for Our Passion

Flower in Sunlight on Island

Flower in Sunlight on Island

“Absence diminishes mediocre passions and increases great ones,
as the wind extinguishes candles and fans fires.” – Francois de La Rouchefoucauld

I think this is one of the reasons so many people get to the middle of life and feel unsatisfied, disillusioned, restless . . . as if something is missing. Because something is missing.

We tend to learn to put our passions aside. We learn to quiet them, to ignore them.

And for those “mediocre” interests, the ones that may have caught our interest, but haven’t come from the soul, this absence does seem to diminish them.

Fence Textures

Fence Textures

For those passions that are part of who we are, however, the going without, the denial, actually fans the fire consuming us sometimes from within.
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I Love to Write

"Modern Blindness" by Kevin Sloan

“Modern Blindness” by Kevin Sloan

I love to write. To be at the page.

That moment when the conscious self gives way to the subconscious and you are transported to another dimension, one where time seems suspended, where time seems to pass as if you’re in some sci-fi flick where years go by for people on the outside but for those in the wormhole it seems like seconds.

And when you emerge from that, you sometimes see that everyone you know has just kept going, aging the way we do minute-by-minute with our eyes on the future or the past.

Yet somehow in that suspended state you have held on a bit longer to that deep down part of who you are, that essence of your true self . . . which is the real fountain of youth.

Yeah, I love that.
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The Obstacle Is The Path

Boat and Boy by Peter van Straten

“Boy and Boat” by Peter van Straten

There is a Zen saying that sometimes the obstacle in the path is the path.

A friend of mine who is not a writer, though he is a very talented visual artist, shared some insight with me once that has resonated with me quite a bit the past few months.

“Consider this,” he said: “in the Chinese language, there is a word for Crisis. Much like words in English, the word is made up by combining two different words. The first symbol is the Chinese word for Danger. The second symbol is the Chinese word for Opportunity.”

On Leadership by Peter van Straten

“On Leadership” by Peter van Straten

When we consider the duality of all things, and the idea that an obstacle might also be an opportunity . . . when we acknowledge that the unwanted condition has a right to exist; that every conceivable state might have a purpose in the grand scheme (even if only as a “learning experience”), we provide ourselves with the chance to grow.

Back in November and December of last year, I wasn’t writing. From August through the end of the year, I was working nearly every day and was utterly exhausted those meager hours each week I wasn’t working.

I was frustrated, but believed that things would slow down in the new year. After all, my job is busiest August through November.

Except when it’s not.
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Bedtime Stories and Snatched Books

"Bedtime Story" by Chris Nitz Photography

“Bedtime Story” by Chris Nitz Photography

When I was a boy, you would have needed one of those super-powered commercial staple guns to keep me in place for longer than a few moments.

And those rare times when I did pause (like in the photo below of my sister on the stairs) you’d probably think I was up to something. That I was mischievous. I wasn’t (glowing halo appears over head). I prefer the terms curious (you know, about what might happen if say my sister sledded down those bumpy steps) and persuasive (an occasional ability to talk that same sister into trying crazy ideas that popped into my head).

I prefer the term imaginative. Yeah, imaginative!

And I blame it all on my super-hyper-can’t-sit-stillness.

Crazy thing is, I would spend hours every day in my room, alone, playing with some toys, sure, but mostly playing with my hands and imagining that they were monsters and heroes and all sorts of things. I remember my parents whispering about my habit of playing without toys more than a few times.

But, see, my hands could become anything. My “action figures” were much more specific – G.I. Joe, and Cornelius from Planet of the Apes, and so on. I spent those hours making sound effects for the adventures and the battles.

I spent hours creating my own stories.

That may seem odd since I didn’t read books. And since I don’t ever remember having bedtime stories read to me (not by my parents or by any of my grandparents). It took me at least two more decades before I could slow down long enough to read stories on my own and I know how much they have impacted my life since then.

I can picture myself as a six-year-old who couldn’t wait each night to climb into bed and to have stories read to me. I have a feeling that would have been very important to me: the special time shared with mom or with dad or with one of my grandmothers, and also the stories themselves, the characters and the absolute wonder of being transported to other worlds.

I imagine if someone snuck into our house and the only thing they snatched was my favorite bedtime story, it would have been worse than if they had stolen my bed or my food.

Lafayette Slows Down Only Long Enough To Think Of New Ways To Terrorize His Little Sister

Lafayette Slows Down Only Long Enough To Think Of New Ways To Terrorize His Little Sister

The idea of such an undertaking doesn’t stir up a sense of danger, really, nor feelings of lost safety that come from someone sneaking into your home and taking things. The idea of story books being stolen, of someone only targeting those secret passageways to other worlds and other lives seems so much more intimate. So much more personal.

But the reason behind the act is even more powerful. Why would anyone do such a thing?

Helen and Thomas Docherty explore that question in their wonderful picture book The Snatchabook which I’ll get to shortly.

I mostly write poetry, as well as middle grade and young adult fiction, but over the summer I started envisioning story concepts for a dozen different picture books (characters, obstacles, etc).

Some people might think, well then you’ve got your book, only writing a picture book isn’t as easy as that. As a matter of fact, I recall the time in grad school when everyone in the program was given the assignment of writing a picture book, and the novelists and poets and playwrights, most people I encountered during residency, found it to be the most difficult task. Much more so than they had ever imagined.

So, this summer, I spent some time reading as many picture books as possible. Actually, I have three out from the library right now.

I’ve looked at a few classic stories, but mostly contemporary books, popular books, award-winning books. Books with a fair amount of prose (since I tend to be long-winded) and wonderful wordless books like Journey and Flora and the Flamingo (which I wrote about here). I highly recommend those, by the way.

I haven’t found too many rhyming picture books. In part because publishers have been shying away from them the last several years, or so I’ve been told, since getting the right rhyme and rhythm is quite challenging. Then I came across a book that had an endearing protagonist and, I suppose you’d call the little book thief an antagonist of sorts, but a sweet antagonist. The book – The Snatchabook – had wonderful illustrations and a beautiful story

The Snatchabook by Helen and Thomas Docherty

The Snatchabook by Helen and Thomas Docherty

The story takes place in the woodland world of Burrow Down where all the forest creatures and families enjoy their bedtime stories.

But one by one, the books start disappearing.

Turns out there’s one creature in the forest who has no family. No one to read to it. At least not at first.

Since the story is, in some ways, about fitting in and about being part of something (whether it’s a family or a community), I was immediately drawn to the characters. The Snatchabook is not only an adorable little creature that is, it would seem, alone, but it’s also a misfit. It’s unlike every other character in the book, except for one thing at least. It loves stories.

If you have kids or grandchildren or you just love picture books, I’d recommend checking out The Stachabook. I found the concept behind the story very clever and the verse and pictures a lot of fun. For a little information on the team from the UK who created the book, writer Helen Docherty and artist Thomas Docherty, check out some of the interviews I did with them below.
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Under The Bus

Jules Verne by mac.rj

Jules Verne by mac.rj

“Read whatever you want. But you should feel embarrassed
when what you’re reading was written for children.” – Ruth Graham

That was the subtitle to the piece published in Slate back in June titled “Against YA.” In the piece, Ms. Graham doesn’t just throw YA fiction under the bus. She stops and backs the bus up and throws any adult who reads YA under it as well.

According to her, if you’re an adult who reads YA, you should feel ashamed.

I guess you might want to find some secret, special, hideaway place to do your reading where no one will find you (like the image above).

What a bunch of hooey!
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What To Do When Feeling Lost, Stuck, or Lacking Motivation

Stricken With Self-Doubt by Just.Luc

Stricken With Self-Doubt by Just.Luc

“The worst enemy to creativity is self-doubt.”  – Sylvia Plath

Of course, as discussed before, there are several other enemies including a lack of motivation. In my experience, a lack of motivation often stems from one or more of the following things: doubt, fear, an inability to focus and/or to concentrate due to anxiety or feeling overwhelmed from too many responsibilities/distraction, or lost interest.

I’ve written some about fear and anxiety and about self-doubt. A lack of interest seems to explain itself – find the thing that interests you, about which you are truly passionate. Being overwhelmed often requires us to break our tasks into smaller steps and to set intentions for each of our essential responsibilities and then remind ourselves of those intentions.

OFTEN!

One thing that helps me with all these challenges appears below (hint, it has to do with other people).

There are times in most people’s lives when they feel doubt – about a relationship, a sport, a college (major, class, career direction), a job, some other pursuit. Anything that requires a choice brings with it the potential for doubt. And we can doubt just about anything related to those decisions we make . . . or have to make . . . or want to make (before, during, and after we make the decision).

That doesn’t even take into account the doubt some people have about themselves.

At various points in our lives, questions arise. Do they really like me for who I am? Who the heck am I? Am I fooling myself? Do I have the ability needed? Is it done? How do I know?

Writers, artists, and other people chasing their creative dreams occasionally encounter various forms of doubt, fear, lack of motivation, and other obstacles. As a matter of fact, among many creatives I know, self-doubt is one of the biggest obstacles they have to overcome.

I’m not going to pretend one thing works for all forms of doubt. But I will say this, one thing I’ve learned that helps me regardless of the reason behind the doubt is the knowledge that each step taken gets me closer to my goals.

Another thing, that helps me even more than that, is reminding myself what my intention is for chasing those goals in the first place.

What Am I Writing For?

Answering that question (and reminding myself of the answer whenever I feel stuck, unsure) has helped me more than anything.

A third thing that helps me stay inspired . . . that reminds me that those obstacles can be overcome . . . is the accomplishments of my friends and colleagues.
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Being Receptive – Creative Sparks Take Many Forms

sparkles on water

Children are extremely perceptive and absorb what goes on around them long before they can talk or even comprehend language. They are like finely tuned receivers that pick up much more than is merely said. They are receptive and attuned to every mood, feeling, and change that goes on in people around them.”
– Theodore Isaac Rubin

I just got back from an amazing week in Historic New Harmony where my friend Terry Price and I led a week-long retreat for writers called West of the Moon Retreat. It was our third year doing the retreat and, somehow, each year tops the last.

One of the underlying intentions for the week was to encourage the writers to be RECEPTORS or RECEIVERS (i.e. to more RECEPTIVE – like those old Pioneer and Bose receivers that allowed stereos to pick up so much extra musical goodness that was bouncing around the stratosphere).

We invited them to be OPEN to whatever sort of inspiration might present itself rather than going into each writing session with preconceptions about how their inspiration would come to them.

There’s a need to approach each writing session with a specific intention, a focus, but we discussed how writers often go into a session expecting their inspiration to come in a specific way. As a result, we set our dials and tune in to that one way and we tend to dismiss so many other signals instead of recognizing that our body and our unconscious mind reach out to us in a variety of ways.

After showing the writers a series of yoga poses (not to be confused with ninja moves) put together in a brief sequence for the purpose of opening them up for those myriad signals (any image, color, word, sensation, etc), I finally had my own chance to walk the walk, so to speak. And what a walk it turned out to be.

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Time: Making Every Second Count While Chasing Your Dream

caffeinating, calculating, computerating by ryantron

caffeinating, calculating, computerating by ryantron

Time is the coin of your life. It is the only coin you have, and only you can determine
how it will be spent. Be careful lest you let other people spend it for you.” – Carl Sandburg

Believe it or not, I barely had enough time to get this post done. And I’ve been working on it for the past three weeks. But I digress. Sort of.

This is a post about chasing dreams. And about time. And about multi-tasking, in a manner of speaking.

I have long accepted the fact that I have a jiffy-pop brain. My thoughts, though linear at times, tend to pop all over the place about seemingly unrelated or random things. Of course, they pop even more frequently about related things – as in things related to my dream of being a full-time professional writer.

As a result, I have several projects going on all the time. Like this very moment, I’ve got a new Reading Series that launches tomorrow at Ravines Wine Cellars, I leave a week from today for Historic New Harmony to co-host a week-long retreat for writers and other creatives (which means I’m still fine tuning workshop ideas and materials). I’m tutoring my niece for all sorts of 10th Grade Regents Examination Craziness, and working my job. Oh, and trying to keep up with this blog and work on new poetry for the YA novel-in-verse, and there’s the very cool collaboration project I’m working on with the artist who helped create this website and . . .

You could call it multitasking, I suppose, though recent studies suggest that term to be a misnomer – as we are really only able to truly focus on one thing at a time, we’re just able to move from one thing to the next thing and back again almost instantaneously.

The human brain is wired in such a way that allows for that ultra-fast processing (a.k.a. what we call multitasking), but because we have that capability we often fall into the habit of non-stop multitasking. And that can be a problem (on so many levels).

Our brains are designed to scan, to search for potential dangers, to be on alert. It’s a survival mechanism.

I could go into the potential physiological problems that arise from the growing trend to have our brains in the fight-or-flight state most of the time, but I’ll leave that to those more qualified. Instead, I’ll allude to the quality of work such rapid-fire focus produces. Or, in particular, working on multiple projects simultaneously has worked for me.

One of the interesting paradoxes of creativity is that we need to focus on the task at hand in order to turn inward and to mine the gems deep inside. We also need to be open to whatever comes our way, to be receptive.

Sometimes we force ourselves to focus so hard on what we believe we’re supposed to be focused on that we actually prevent ourselves from receiving creative impulses and ideas rushing toward us. Of course, sometimes we get so caught up in starting every idea that comes our way, that we never complete anything.

Such is the juggling act of the writer, the artist, the creative.

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Hope, The Stuff of Dreams

“Hope is the thing with feathers –
that perches in the soul –
and sings the tunes without the words –
and never stops at all.” – Emily Dickinson

Those lines form one of my favorite stanzas by Dickinson or anyone really, not for the meter, the rhythm or the rhyme, not for the way the thought is said at all, but for the thought itself, the meaning behind the words.

I’ve been a positive person as long as I can remember. Spending most days with a smile that comes from an appreciation that’s difficult to describe. I’m a genuinely happy guy.

I joke sometimes and say I’ve had an octogenarian’s outlook on each new day ever since I was thirteen and nearly died. But it’s not really a joke. I spent each day over the next four years (my entire time in high school) absolutely terrified that my time had run out, and every night when I went to bed I was palpably afraid that would be the end, which is also why I greeted each new day profoundly thankful for another chance.

I’ve been praised for my outlook, and thanked by those around me who have drawn on my positive energy, and ridiculed by some of the latter as well.

“People who smile all the time,” I’ve been told, “are just putting on a face for others, hiding the pain and the frustrations of life.” Well, I suppose if one pretends there is no pain and that there are no frustrations, then that might be true. Except, I’ve found that choosing to acknowledge the pain and frustration to myself, assessing what things I can change and what things just are the way they are, and then approaching the moment with an attitude of hope, that is the reason I tend to smile.

And, most days, most of the time, no one else needs to be made aware of my pain or my frustrations.

Anyone who truly knows me also understands, that’s part of the reason I write. I see the darkness. I feel it emphatically. I am a very empathetic person, too much so, perhaps. And I’m also a very sensitive person when it comes to the struggles of others.

Read one thing I’ve written and you’ll get it. I focus on the shadows, the storms, the unpleasantness of the human condition in nearly every poem, in every single piece of prose. But, I do so from the perspective of hope.

I’m that way in my relationships, that way with my work, and also with my dreams though I did put those on hold for a long time. I believe that hope is an essential ingredient when it comes to making dreams a reality.
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