What Is Piers Anthony Writing For?

Cover Art for On a Pale Horse

Cover Art for Piers Anthony’s novel On a Pale Horse

Piers Anthony has spent nearly SIX DECADES doing the one thing I want most to do – creating worlds and stories and characters that captivate readers.

I’ve had the pleasure of exploring a number of those worlds having read several books from the Xanth series, as well as each of the books in the Incarnations of Immortality series which includes my favorite novel by Anthony (one of my all-time favorite novels): On a Pale Horse.

Just reading the back cover intrigued me: “Shooting Death was a mistake, as Zane soon discovered. For the man who killed the Incarnation of Death was immediately forced to assume the vacant position! Thereafter, he must speed over the world, riding his pale horse, and ending the lives of others.”

Add to that premise (for a novel, it should be noted, that came out thirty years ago), a great voice, interesting (and at times diabolical) characters, and I was hooked.
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Art: A Knocking From Your Soul

Just a small version of The Buffalo Hunt by William Robinson Leigh

Photo of small section of the painting The Buffalo Hunt by William R. Leigh

“Art is when you hear a knocking from your soul —
and you answer.” ~Terri Guillemets

That’s so true. Especially when it comes to creating art.

Of course, we’re also given an opportunity to connect with a deep down part of ourselves when we experience the art others have created which reminds of a quote by Rodin: “The main thing is to be moved, to love, to hope, to tremble, to live.” Spending time with Family and with Friends does that to me. WRITING (which is me answering the knocking from my soul) does that to me. ART often does that to me.
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The Key Word Is Love

Basketball Planet

Sometimes The Thing We Love Becomes Our Whole World

“Love. Fall in love and stay in love. Write only what you love, and love
what you write. The key word is love. You have to get up in the morning
and write something you love, something to live for.” – Ray Bradbury

Here’s what I know about love – it might just be the easiest thing to feel, naturally, I mean, for it seems one of the most inherent human emotions.

As we go through life, however, so many experiences and senses and other emotions tend to get tangled up with love so that, for some, it becomes almost inextricably bound to things like trust and self-worth (or perhaps I should say to a lack of trust and a lack of self-worth, and to fear).

As a result, it might also be one of the hardest things for some of us to feel (or to allow ourselves to feel, maybe). If it’s right, it can fill you up completely. If it’s wrong, it can leave you feeling empty and inexplicably lost.

I don’t intend to discuss the origins of the word or to examine just how much of its once-upon-a-time thunder (or happily-ever-after magic) may have been lost over the years due to people loving, well, pretty much everything – I’m a culprit in that as well, having told my parents numerous times as a boy how much I loved hotdogs (that’s all I ate, period, one entire summer), sunshine (I’m solar powered, I just know it), root beer floats, and a slew of other things.

Inside, I knew what I meant. I understood the subtle and the sometimes vast differences between types of love, but that’s the problem. The word doesn’t just mean one thing anymore. Some people wield it without a second thought. Others cherish it, unwilling to use it except for the rarest of circumstances. I’ll do my best to describe what I mean here so that the magnitude of its importance is conveyed, but I’m sure I may put off a few purists in the process.

This is NOT a romance piece. But it is about first love. My first love. I may also get around to the sort of love Bradbury alluded to above, though that’s not something I knew anything about until recently.

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Dreams

Mask and Unveiling

Mask and Unveiling

“Writing is both mask and unveiling.” ~ E. B. White

That quote seems to sum up one of the most rewarding byproducts of writing for me: the paradoxical duality of simultaneously concealing and revealing oneself. On one hand, I’ve spent a lifetime trying to be invisible. On the other hand, I’ve spent many of those exact same moments trying to find a way to be heard (by myself first, by others second).

When I was about seven or eight-years-old, I revealed to my mom my dream (my grand life’s plan was all laid out in my mind and it seemed so simple back then to just know in your heart that you were going to do a thing and not question it at all). I was going “to make $100,000 a year,” I told her. And I was going to buy her a huge house and give her and my dad a whole heap of money (as an aside, I was reminded last year by my aunt who is now in her eighties that I had apparently promised great sums of money to other members of my family as well . . . oops).

How, my mom wondered, was I going to manage this.

It should be noted that back when I was eight-years-old settlers were still bartering with glass beads and animal pelts, so that annual salary was quite a lofty goal.

“I’m going to be an actor,” I said.
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Events

New Harmony's Roofless Church

New Harmony’s Roofless Church

RETREATING:

I’m writing from Historic New Harmony, Indiana (I’m here taking part in the 2nd Annual Extraordinary Time Writer’s Retreat)!

Look, any chance I get to be in New Harmony with my computer (and, especially, with a notebook and pen), is one I welcome with unbridled exuberance. I’ve been to very few places that emanate the creative energy and the sense of equanimity of New Harmony and both of those things are invaluable to a writer.

Add to that a tranquil setting with an interesting history (and some pretty cool historic buildings and parks), as well as that rare combination of quiet time and a separate space to write, removed from the many obstacles of the daily grind, and you have a writer’s dream.

Of course, one of the best things about the retreat is getting to spend a few days with one of my favorite people (and a talented writer), Terry Price, as well as some other warm, wonderful, creative writers.
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Residencies, Retreats, and R.A. Salvatore

Sunset at Ucross

Sunset at Ucross

Last week I mentioned that one of the best things I ever did for myself as a writer was attending an artist residency at Ucross. Today I’ll explain WHY that was so important and I’ll also mention two other things I’ve done that have been life-changing, especially for the writer in me.

Though some are strictly for scribes, many residencies accept artists working in various media (visual, literary, dance, musical, and so on).

I can’t emphasize enough how invaluable artist residencies can be for they offer Uninterrupted Time and a Separate Space to work on your art. Aside from possessing some sort of creative talent and a unique perspective, perhaps, uninterrupted time and a separate space might just be the most essential ingredients when it comes to creating art. After all, they’re typically quite difficult to find in our everyday lives.
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The Gift of Time

Wild and Precious Life by Cynthia Frost

Wild and Precious Life

“Tell me, what is it you plan to do
with your one wild and precious life?” – Mary Oliver

It’s one thing to “plan” to follow your dream with “your one wild and precious life” (which might just be the hardest thing to do, really, considering all the pressure you’ll probably face to do everything but that), but having a vivid imagination, having something to say, even finally deciding that you’re going to be a writer, all of these essential things aren’t enough.

You still have to find a way to sit down and write.

After all, the rest of your life can make that very hard to do.

That’s why one of the very best things I’ve done for myself as a writer was to apply to an artist residency.

The semester I graduated from Spalding University, one of my favorite writers and mentors, K.L. Cook, sat on a panel about “Life After the MFA” and, while some people spoke about the seemingly insurmountable odds that stood between each of us soon-to-be-grads and our dreams of living as published writers (the sort of stuff they tend to leave out of the recruitment brochure of any MFA program, but a truthful aspect of the writer’s life), Kenny focused on things we could do from that moment forward to give ourselves the best chance of realizing our dreams.

He didn’t side-step the challenges. He nodded in agreement several times when other people were sharing rather grave experiences. He also chose to provide us with action steps we could take to move us closer to that ultimate goal.
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Stories I Inherited

Hobos Walking the Rails

Hobos (Bindle Stiffs) Walking the Rails

What we see depends mainly on what we look for.” – John Lubbock

There are two small scenes in my favorite novel, To Kill a Mockingbird, that reveal a truth I had never contemplated until I was in my twenties: how we tend to see the people in our lives who were here before us only as the person they are to us, not as someone who’s lived another life.

It’s a perspective thing.

The first scene I’m alluding to is when Scout and Jem watch their dad, Atticus (the man they perceive as so-old-he-can’t-play-football-or-do-much-of-anything-worth-doing-outside-a-courtroom), as he’s asked by Sheriff Tate to shoot a rabid dog and Atticus does this seemingly impossible feat with his one and only shot.

The surprising prowess Atticus demonstrates in that scene, of course, is juxtaposed against his inability to win the larger battle he’s currently fighting, but through the responses of Jem and Scout it also reveals how, when we’re born, we enter into all these other lives.

We just tend to get so caught up in our own that we don’t often recognize the parts of our story that came before us.

And how would we even know to look?

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