Laughter, My Favorite Exercise

Laughter by Symphony of Love

Laughter by Symphony of Love

“Laughter is the shortest distance between two people.” – Victor Borge

So many times, laughter has saved me.

And some of my best friendships have been forged over laughter, some of the best moments in my life. Including times I’ve ended up laughing at myself.

I hadn’t thought about that until the other night during one of the NCAA basketball games. A commercial came on and my mom laughed. And I saw her dad in her then, the way he would break open in a soft smile and the way that smile would quietly sparkle with laughter.

And I thought, at that moment, laughter might just be one of the best things ever.

I recall being a boy (no, it’s true, despite the common theory that I just showed up with a receding hairline and a silvering chin) and watching this amazing pianist on one of the shows my parents liked to watch and his fingers were like Olympic hurdlers racing across the keys. And, yes, that was impressive.

Only I was like six and as appealing as it would have been to have fingers that were fast as gazelles (I could imagine their usefulness for hiding peas at dinner or tangling my sister’s hair), but what I wanted most at that time were legs that were cheetahs, so I could run all over the neighborhood (which I did anyway) faster than anyone (which I so didn’t do).

But then the piano guy stops playing and makes a sound or a face or he does some crazy thing or he makes some tangential comment and I laughed. We all laughed. It was unexpected and a bit absurd, given the seriousness of the music, and absolutely wonderful. And it was also something my family and I shared.

Those moments laughing.
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Friends

Mickey McKay & Frank Conifrey - Lenox Hill Settle't [i.e., Settlement]

Mickey McKay & Frank Conifrey – Lenox Hill Settle’t [i.e., Settlement]

“Words are easy, like the wind;
Faithful friends are hard to find.” ― William Shakespeare

As a boy, even with best friends, there’s sometimes very little distance between a fist bump and a fist fight. At least that’s how it was for me growing up.

When you’re seven, eight, even nine-years-old, it doesn’t take a lot to turn all that get-up-and-go fueling your youthful exuberance into scowling proclamations of “take that back!”

As adults, a fight between friends can often turn into something much more dramatic and much more personal. There also tend to be less split lips and more ugly words or all-out avoidance. Of course, when adult friends have a moment, it can also seem like nothing at all – no blood drawn, no feelings hurt, just a word or two, an honest reminder, a respectful, loving, setting straight.

I’ve mentioned it before, but it bears repeating. I’m a very lucky guy.

I have some of the most remarkable friends. Ever!

It’s true. Scientists and Historians are still shaking their heads in disbelief. A few of my closest chums have been friends of mine for two or three decades. That’s right, they’re slow learners.

I had some great friends as a boy too, before we moved. It’s that in between time that was a bit more problematic, so it’s no wonder that’s the time I tend to write about.

One of my absolute favorite things to do as a writer is create the protagonist’s friends.

Without consciously setting out to do so, I’ve found that I imbue these fictional sidekicks with many traits my childhood possessed and my adult friends possess. Characteristics like pluck, curiosity, empathy, spunk, humor, and perhaps a slight propensity for mischief (like Webb) or nerdy interests (like Swatch).

Here are a handful of my favorite quotes about friendship (see if you agree with them or disagree):

“A friend is someone who knows all about you and still loves you.” – Elbert Hubbard

“What is a friend? A single soul dwelling in two bodies.” ― Aristotle

“Silence make the real conversations between friends. Not the saying, but the never needing to say that counts.” ― Margaret Lee Runbeck

“Each friend represents a world in us, a world possibly not born until they arrive, and it is only by this meeting that a new world is born.” ― Anaïs Nin

“We’ll be Friends Forever, won’t we, Pooh?’ asked Piglet.
Even longer,’ Pooh answered.” ― A.A. Milne, Winnie-the-Pooh

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Try a Little Tenderness

A Mother's Touch by Electric Echoes

A Mother’s Touch by Electric Echoes

For the past week, one word has been creeping around in my head, popping up over and over and over. That word is TENDERNESS.

Maybe it’s because my mom went away for a little while and I’ve had some time with my dad that I might not have taken otherwise.

I know tenderness may not be one of those words you usually associate with two grown men bonding. It’s not typically part of the Y Chromosome Playbook they give you as a boy to commit to memory and take to heart, yet I think it might just be one of the most crucial reasons why my friends are my friends (female and male) and why my family and I are so incredibly close.

Not only do each of those very special people in my life have a capacity for tenderness, they have a propensity for sharing it (with others and with me).

As a young boy, I suppose I looked up to my dad first and foremost as this great athlete, as this man’s man to use an old-school phrase, for being strong and brave and able to do just about anything. Today, I still appreciate all that, but the thing that strikes me most profoundly is my dad’s ability to be that guy and to still share moments of tenderness.

And, in looking back, I think what truly connected us even when I was a boy, regardless of how many sports I played and how many other things we had in common, was that part of my dad’s personality, that part of his soul, which he revealed in those moments.
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A Thing Called Fear

Shark by Deja Photo

Shark by Deja Photo From Lens To Picture

“I’m not afraid of death; I just don’t want to be there when it happens.” – Woody Allen

Fear. At a basic level, fear is an emotional response to a perceived threat. Essential, historically, to the survival of humanity. Yet a potential catalyst to the undoing of an individual.

It should probably be noted that this is just MY take on fear. For what it’s worth.

I’m not going to get all psychoanalytical here or even very philosophical, but it seems that fear can be the spark that saves a life or that gets us headed in the right direction. It can also, in a manner of speaking, end a life when it becomes paralyzing, when the threat is viewed as a seemingly insurmountable obstacle to happiness, success, dreams.

Although fear might be an instantaneous response to a specific threat at a particular moment in time (a reaction to stimuli in a present moment), some are layered. They’re not merely a reaction to that one instant, but are often threaded deeply, intricately, inextricably to other (often sundry) past experiences.

It figures, doesn’t it, that something so influential would be so complex.

Here are My Four Biggest Childhood Fears (in order of severity, not in chronological order, from ages six to eighteen):

DEATH (as in no longer alive, as in ran out of time, as in the end, finito . . . I’m talking from the perspective of a boy who had absolutely no desire to be off pursuing evidence of an afterlife or a lack there of . . . not as a youthful resistance to the concepts of heaven or hell or purgatory, but simply as an I-just-got-here reaction to the whole idea of shuffling off this mortal coil)
STAGE FRIGHT/PUBLIC SPEAKING (being the center of attention might be a more apt name for this one)
HEIGHTS (a fear of falling, really . . . not of climbing, not of being UP, for UP was one of my favorite places to be – as Xero says, being there often allows you to see what everyone else can see, but in a totally different way . . . okay, so I guess maybe I did sort of morph into a misfit on my own)
DOGS (that’s right, man’s best friend . . . although I have a genuine affinity for dogs, I was attacked by two of them when I was in first grade so every canine interaction I’ve had since then has begun/begins with all out fear)

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Dreams

Mask and Unveiling

Mask and Unveiling

“Writing is both mask and unveiling.” ~ E. B. White

That quote seems to sum up one of the most rewarding byproducts of writing for me: the paradoxical duality of simultaneously concealing and revealing oneself. On one hand, I’ve spent a lifetime trying to be invisible. On the other hand, I’ve spent many of those exact same moments trying to find a way to be heard (by myself first, by others second).

When I was about seven or eight-years-old, I revealed to my mom my dream (my grand life’s plan was all laid out in my mind and it seemed so simple back then to just know in your heart that you were going to do a thing and not question it at all). I was going “to make $100,000 a year,” I told her. And I was going to buy her a huge house and give her and my dad a whole heap of money (as an aside, I was reminded last year by my aunt who is now in her eighties that I had apparently promised great sums of money to other members of my family as well . . . oops).

How, my mom wondered, was I going to manage this.

It should be noted that back when I was eight-years-old settlers were still bartering with glass beads and animal pelts, so that annual salary was quite a lofty goal.

“I’m going to be an actor,” I said.
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Frequently Asked Questions

Lennart Tanges

Young Scribes

Q: Did you always want to be a writer?

A: Not a chance!

As I mentioned on my ABOUT page, I never read my first poem, short-story, novel (and so on) outside of an English class until I was twenty-six years old. I didn’t have the patience to sit own long enough to read a bubble gum wrapper, let alone a book.

And that was just reading. But writing? It took me years after that first book before I would stop moving long enough to even know I had something worth saying (the way we all do, really). Before I realized how good it feels transforming thoughts and feelings and experiences into words. How incomparably magical it is to spend some time living from the inside out. That’s what writing is, after all. Those moments when you’re at the page.

As a boy, I was so not ready for that. Back then, I was trying to stuff every feeling I had into all the dark spaces I could find. Writing was the absolute last thing I wanted to do. I mean, I’d have eaten broccoli first. Even asparagus. Just not at the same time.

I loved movies, though. They always felt like adventures I was part of and I could enjoy them with my dad. I still love movies. They’ve always been a way for me to decompress. Besides, I envision everything I write (even the poems) as small movies.

Q: What’s the hardest thing about writing a novel?
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