In Defense of TV, Sort Of

Spanky McFarland & Charley Chase by twm1340“In my opinion, television validates existence.” – Calvin and Hobbes

TV has been part of my life since the very beginning (not unlike children today who grow up with computers and social media). By the time I was a teenager, we were being warned about the dangers of television.

In 1981 “children spent about 2 hours each weekday watching TV” which meant that after fifty years they’d have spent over three years of their lives watching the tube as we called it back then. The primary concerns seemed to be that kids would grow up to be sedentary, that in addition to being inundated with violence (cartoons, westerns, police dramas which were beginning to get a lot edgier . . .) kids would spend less time outdoors, less time reading, less time interacting with each other.

So glad that didn’t happen. Er, um, well . . .

“In 2000, the average number of hours spent watching TV was 1,502, or 4.1 hours per day” and by 2008, the “projected average number of hours an individual (12 and older)” was expected to spend watching TV was up to about 4.7 hours per day.

Of course, today Americans spend over five hours a day online (including approximately 2 hours each day with their smartphones) while we only spend about an hour-and-a-half with our partners.

I’m not going to pretend to know all about the dangers of TV or about the potential dangers of smartphones or other forms of technology. I certainly don’t. I actually just spent over three years without television and, in general, I didn’t pine for it much except when March Madness rolled around.

Over the past few months, however, I have discovered a few television shows (some from a few years ago and others somewhat current) that I think are excellent:

A Game of Thrones
The Walking Dead
Veronica Mars
Freaks & Geeks
The Blacklist

And those shows got me thinking (always dangerous). So, you could say this post is simply one guy’s take on the way some television shows can be valuable tools for writers.
Continue reading

Try a Little Tenderness

A Mother's Touch by Electric Echoes

A Mother’s Touch by Electric Echoes

For the past week, one word has been creeping around in my head, popping up over and over and over. That word is TENDERNESS.

Maybe it’s because my mom went away for a little while and I’ve had some time with my dad that I might not have taken otherwise.

I know tenderness may not be one of those words you usually associate with two grown men bonding. It’s not typically part of the Y Chromosome Playbook they give you as a boy to commit to memory and take to heart, yet I think it might just be one of the most crucial reasons why my friends are my friends (female and male) and why my family and I are so incredibly close.

Not only do each of those very special people in my life have a capacity for tenderness, they have a propensity for sharing it (with others and with me).

As a young boy, I suppose I looked up to my dad first and foremost as this great athlete, as this man’s man to use an old-school phrase, for being strong and brave and able to do just about anything. Today, I still appreciate all that, but the thing that strikes me most profoundly is my dad’s ability to be that guy and to still share moments of tenderness.

And, in looking back, I think what truly connected us even when I was a boy, regardless of how many sports I played and how many other things we had in common, was that part of my dad’s personality, that part of his soul, which he revealed in those moments.
Continue reading

A Thing Called Fear

Shark by Deja Photo

Shark by Deja Photo From Lens To Picture

“I’m not afraid of death; I just don’t want to be there when it happens.” – Woody Allen

Fear. At a basic level, fear is an emotional response to a perceived threat. Essential, historically, to the survival of humanity. Yet a potential catalyst to the undoing of an individual.

It should probably be noted that this is just MY take on fear. For what it’s worth.

I’m not going to get all psychoanalytical here or even very philosophical, but it seems that fear can be the spark that saves a life or that gets us headed in the right direction. It can also, in a manner of speaking, end a life when it becomes paralyzing, when the threat is viewed as a seemingly insurmountable obstacle to happiness, success, dreams.

Although fear might be an instantaneous response to a specific threat at a particular moment in time (a reaction to stimuli in a present moment), some are layered. They’re not merely a reaction to that one instant, but are often threaded deeply, intricately, inextricably to other (often sundry) past experiences.

It figures, doesn’t it, that something so influential would be so complex.

Here are My Four Biggest Childhood Fears (in order of severity, not in chronological order, from ages six to eighteen):

DEATH (as in no longer alive, as in ran out of time, as in the end, finito . . . I’m talking from the perspective of a boy who had absolutely no desire to be off pursuing evidence of an afterlife or a lack there of . . . not as a youthful resistance to the concepts of heaven or hell or purgatory, but simply as an I-just-got-here reaction to the whole idea of shuffling off this mortal coil)
STAGE FRIGHT/PUBLIC SPEAKING (being the center of attention might be a more apt name for this one)
HEIGHTS (a fear of falling, really . . . not of climbing, not of being UP, for UP was one of my favorite places to be – as Xero says, being there often allows you to see what everyone else can see, but in a totally different way . . . okay, so I guess maybe I did sort of morph into a misfit on my own)
DOGS (that’s right, man’s best friend . . . although I have a genuine affinity for dogs, I was attacked by two of them when I was in first grade so every canine interaction I’ve had since then has begun/begins with all out fear)

Continue reading

Dear Billy Collins

Former Poet Laureate Billy Collins

Just Two Books by Former Poet Laureate Billy Collins

If you had uttered the word “POETRY” when I was a boy, I’d have probably run, sort of the way I would have reacted to the words FIRE or SNAKE or to the phrase WANNA KISS (though, as with poetry, I later came around regarding one of those, as well).

English (now called Language Arts) was the ONLY school subject I have ever flat out hated.

Most of that was due to grammar exercises (which seemed, at the time, to be an ingenious method of torture invented by adults especially for teens). Part of my aversion, however, was also due to that other devious cruelty called poetry. These were the sort of topics that could make a somewhat hyper person (meaning me, of course) start banging his forehead against text books and desks and lockers and (if we had grammar and poetry the same day) off the dull-colored cinder block walls of the back hallway.

It sure seemed as though the poems to which we were introduced were secret coded messages and we were supposed to decipher them without any cool decoder rings or fancy machines. It was like translating some long-lost foreign language that looked remotely familiar, sure, but made no sense at all.

Somehow, I managed to get through most of my undergraduate years avoiding anything that might have even been mistaken for an English class.

Eventually, however, I ran out of options. I was twenty-six. And my life changed forever.
Continue reading

Remember Every Scar

Got Pummeled Here

The Hurt Wall

“A little talent is good to have if you want to be a writer,
but the only real requirement is the ability to remember every scar.” ~ Stephen King

We all have scars: some physical, some mental, some emotional. Some are deep and dark, others superficial, others in between, but most leave their mark in some way on the person we become (it’s how we respond to the events that caused those scars that often defines us).

I look at my knees and my shins and I know full well that I don’t remember every scar, not all the physical ones anyway (the others tend to be easier to remember, or harder to forget).

There was that one summer afternoon and the banana seat bike at my aunt’s house with its shiny chrome fenders, the bike I tried to hurdle (whatever might have inspired such an act is a mystery). The front fender turned bloody pretty fast and somehow that scar remains on my left shin.

There was the time when I was five or six and I plucked the discarded razor blade (which I was specifically told to stay away from because it was sharp, because it could hurt me) the same razor that had been hidden in a folded Kleenex and stuffed at the bottom of the trash, the razor I tested on my index finger.

Still got that scar to remind me of my youthful curiosity (meaning my flat out stupidity, that is).

I spent a lot of time on the ground as a boy (sometimes playing with my plastic troops and my hot wheels, sure, but most often the result of some outside force acting upon my body – you know, like gravity, or bigger stronger older boys).

I never really thought about it until today, but remembering scars isn’t always bad. Sometimes it can be a lot of fun. For one thing, it’s a chance to give my sister a hard time. And when is that not fun?!? Like now, for example, as I remember the events that led to my propensity for climbing, for being UP. Those events are finding their way into my writing. So, you could say, they’re scars well spent.

Continue reading

What is Stuart Gibbs Writing For?

Stuart Gibbs“It is never too late to be who you might have been.” George Eliot

I admit it. I’m flat out and unabashedly envious of those writers who’ve always known this was their calling. Those people who’ve had a lifelong love affair not just with books and with words, but with storytelling.

Back in May, I first encountered the fun middle-grade novel Belly Up by Stuart Gibbs which follows twelve-year-old protagonist Teddy Fitzroy as he sets out to uncover who’s behind the mysterious death of FunJungle theme park mascot Henry the Hippo. Since then, I’ve added another novel by Gibbs, Spy School, to my queue of must read books for this summer.

When I consider that what I most enjoyed about Belly Up was the playfulness of Gibbs’ storytelling (a delightful lighthearted combination of adventure and humor), I suppose I shouldn’t have been surprised to learn that he was one of those childhood scribes I mentioned above, the sort who’ve been concocting stories most of their lives. 



Gibbs is the first of several writers I admire whom I’ve asked to write a brief guest post for Write Side Up based on the question, What Are You Writing For?

A Guest Post by Stuart Gibbs

What am I writing for?

I am writing because I love it. I have loved writing for as long as I can remember. That’s not hyperboleThat’s what I did in my spare time when I was a child. I wrote. I still have folders full of stories I wrote back then. (That comment prompted the question: what did you write?)

I wrote all sorts of things, though I guess the common theme was that they tended to be about animals, rather than people. Among the things in my ‘archives,’ I have a story about dinosaurs coming back to life and showing up in a small town, and a whole book about a dog and a cat who were friends. (I actually tried to get the book published when I was in first grade. My first grade teacher helped me send it in to a publisher. I actually recall getting my first rejection letter quite clearly.)

I’m not sure exactly when I did the writing, but I probably did a lot of it in school. I seem to recall having a lot of teachers who were very supportive of me writing stories. (After all, it’s a very quiet activity.)

Possibly the best experience was that one school put one of my stories — the one about the dinosaurs — in the school library, which meant other kids could check it out and read it. It was a really wonderful, supportive thing of my school to do and it was very encouraging to a young writer.

It’s little wonder, I suppose, that Gibbs adds:

I always wanted to be an author.

I used to go into the bookstore or the library and find the spot on the bookshelves where my books would be, if they existed. So now, the thrill of seeing my books in a bookstore or library is indescribable. And it never gets old.

However, there is now another reason I write, something I could never have imagined back when I was a child. I have children of my own. I didn’t really set out to write middle grade fiction; that’s just how things worked out. But now, the fact that I am writing books that my children can read — or that I can read with them — is truly wonderful.

As rewarding as it is to write because that’s what’s in you, because that IS YOU being “the person you might have been,” I imagine experiencing your stories through the eyes of the people who matter most in your life must be incomparable.

I’m glad that Stuart Gibbs is getting such a chance. For selfish reasons, I’m also glad he didn’t let that early rejection stop him from doing the thing he’s always wanted to do. After all, I for one enjoy a good story and look forward to what Gibbs does next.

Stories I Inherited

Hobos Walking the Rails

Hobos (Bindle Stiffs) Walking the Rails

What we see depends mainly on what we look for.” – John Lubbock

There are two small scenes in my favorite novel, To Kill a Mockingbird, that reveal a truth I had never contemplated until I was in my twenties: how we tend to see the people in our lives who were here before us only as the person they are to us, not as someone who’s lived another life.

It’s a perspective thing.

The first scene I’m alluding to is when Scout and Jem watch their dad, Atticus (the man they perceive as so-old-he-can’t-play-football-or-do-much-of-anything-worth-doing-outside-a-courtroom), as he’s asked by Sheriff Tate to shoot a rabid dog and Atticus does this seemingly impossible feat with his one and only shot.

The surprising prowess Atticus demonstrates in that scene, of course, is juxtaposed against his inability to win the larger battle he’s currently fighting, but through the responses of Jem and Scout it also reveals how, when we’re born, we enter into all these other lives.

We just tend to get so caught up in our own that we don’t often recognize the parts of our story that came before us.

And how would we even know to look?

Continue reading

Frequently Asked Questions

Lennart Tanges

Young Scribes

Q: Did you always want to be a writer?

A: Not a chance!

As I mentioned on my ABOUT page, I never read my first poem, short-story, novel (and so on) outside of an English class until I was twenty-six years old. I didn’t have the patience to sit own long enough to read a bubble gum wrapper, let alone a book.

And that was just reading. But writing? It took me years after that first book before I would stop moving long enough to even know I had something worth saying (the way we all do, really). Before I realized how good it feels transforming thoughts and feelings and experiences into words. How incomparably magical it is to spend some time living from the inside out. That’s what writing is, after all. Those moments when you’re at the page.

As a boy, I was so not ready for that. Back then, I was trying to stuff every feeling I had into all the dark spaces I could find. Writing was the absolute last thing I wanted to do. I mean, I’d have eaten broccoli first. Even asparagus. Just not at the same time.

I loved movies, though. They always felt like adventures I was part of and I could enjoy them with my dad. I still love movies. They’ve always been a way for me to decompress. Besides, I envision everything I write (even the poems) as small movies.

Q: What’s the hardest thing about writing a novel?
Continue reading

Write Side Up

Our Go-Karts Didn't Have Sails

Like This Example, Our Go-Karts Were Made From Scraps, But Ours Didn’t Have Sails


Write Side Up
seemed like the perfect name for this blog because it’s taken me a lifetime to get here, but this thing, writing, is me finally getting it right. It’s the first thing I’ve ever done that allows me to just be all me all the time. It’s me doing what I believe I’m called to do.

I love the blog’s banner photo up top. Monica, who did such an awesome job designing the site, made that choice and I had to laugh out loud when I first saw it like that.

It’s me and my little sister back in what was my favorite house growing up – one that will make it’s way into many of my stories. Of course, if we didn’t move from that house to the next one, I might not be writing MG & YA Fiction, so I’m not complaining. We moved when I was nine. Those next eight years play a big part in what I write. But I’ll get to all that later.

Continue reading