A Thing Called Fear

Shark by Deja Photo

Shark by Deja Photo From Lens To Picture

“I’m not afraid of death; I just don’t want to be there when it happens.” – Woody Allen

Fear. At a basic level, fear is an emotional response to a perceived threat. Essential, historically, to the survival of humanity. Yet a potential catalyst to the undoing of an individual.

It should probably be noted that this is just MY take on fear. For what it’s worth.

I’m not going to get all psychoanalytical here or even very philosophical, but it seems that fear can be the spark that saves a life or that gets us headed in the right direction. It can also, in a manner of speaking, end a life when it becomes paralyzing, when the threat is viewed as a seemingly insurmountable obstacle to happiness, success, dreams.

Although fear might be an instantaneous response to a specific threat at a particular moment in time (a reaction to stimuli in a present moment), some are layered. They’re not merely a reaction to that one instant, but are often threaded deeply, intricately, inextricably to other (often sundry) past experiences.

It figures, doesn’t it, that something so influential would be so complex.

Here are My Four Biggest Childhood Fears (in order of severity, not in chronological order, from ages six to eighteen):

DEATH (as in no longer alive, as in ran out of time, as in the end, finito . . . I’m talking from the perspective of a boy who had absolutely no desire to be off pursuing evidence of an afterlife or a lack there of . . . not as a youthful resistance to the concepts of heaven or hell or purgatory, but simply as an I-just-got-here reaction to the whole idea of shuffling off this mortal coil)
STAGE FRIGHT/PUBLIC SPEAKING (being the center of attention might be a more apt name for this one)
HEIGHTS (a fear of falling, really . . . not of climbing, not of being UP, for UP was one of my favorite places to be – as Xero says, being there often allows you to see what everyone else can see, but in a totally different way . . . okay, so I guess maybe I did sort of morph into a misfit on my own)
DOGS (that’s right, man’s best friend . . . although I have a genuine affinity for dogs, I was attacked by two of them when I was in first grade so every canine interaction I’ve had since then has begun/begins with all out fear)

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The Thing About Being Misunderstood

Bully by S. Babikovs

Bully by S. Babikovs

The first time, there were just three of them, my used-to-be-friends, with their wild hands latched onto my arms like vines imbued with dark magic, pulling me down to the earth; their fists turned into impossibly hard knots of bone, like so many dead stars crashing down from the sky against my head, shoulders, chest, gut; their feet stomping breath from my lungs, as if they were boys suddenly reduced to nothing more than steel toe, steel toe, steel toe.

It was the darkest three-foot section of the school, just outside the gym doors, where the hallway zig-zagged back into the locker room. . . .

That’s how my memoir would begin. If, you know, I started at fifth grade. Actually, I’m in the process of writing a fictionalized account of that very story.

I’m not sure if all writers have been through a “bad childhood or a good childhood interrupted by several years of badness” as Piers Anthony suggests, but there’s a good chance they write, to some degree at least, to better understand things they’ve either lived through or witnessed.

I know that’s true for me. I write to make sense of things that, at least when they occur, just don’t deem to make any sense sometimes, like bullying, but I also write to have a voice, as I’ve mentioned before, as a way of expressing myself in the hopes of being understood.

In looking back on my life, I’m pretty sure my need for understanding and, especially, for being understood started during those dark days of fifth grade or became magnified then.
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Remember Every Scar

Got Pummeled Here

The Hurt Wall

“A little talent is good to have if you want to be a writer,
but the only real requirement is the ability to remember every scar.” ~ Stephen King

We all have scars: some physical, some mental, some emotional. Some are deep and dark, others superficial, others in between, but most leave their mark in some way on the person we become (it’s how we respond to the events that caused those scars that often defines us).

I look at my knees and my shins and I know full well that I don’t remember every scar, not all the physical ones anyway (the others tend to be easier to remember, or harder to forget).

There was that one summer afternoon and the banana seat bike at my aunt’s house with its shiny chrome fenders, the bike I tried to hurdle (whatever might have inspired such an act is a mystery). The front fender turned bloody pretty fast and somehow that scar remains on my left shin.

There was the time when I was five or six and I plucked the discarded razor blade (which I was specifically told to stay away from because it was sharp, because it could hurt me) the same razor that had been hidden in a folded Kleenex and stuffed at the bottom of the trash, the razor I tested on my index finger.

Still got that scar to remind me of my youthful curiosity (meaning my flat out stupidity, that is).

I spent a lot of time on the ground as a boy (sometimes playing with my plastic troops and my hot wheels, sure, but most often the result of some outside force acting upon my body – you know, like gravity, or bigger stronger older boys).

I never really thought about it until today, but remembering scars isn’t always bad. Sometimes it can be a lot of fun. For one thing, it’s a chance to give my sister a hard time. And when is that not fun?!? Like now, for example, as I remember the events that led to my propensity for climbing, for being UP. Those events are finding their way into my writing. So, you could say, they’re scars well spent.

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Dreams

Mask and Unveiling

Mask and Unveiling

“Writing is both mask and unveiling.” ~ E. B. White

That quote seems to sum up one of the most rewarding byproducts of writing for me: the paradoxical duality of simultaneously concealing and revealing oneself. On one hand, I’ve spent a lifetime trying to be invisible. On the other hand, I’ve spent many of those exact same moments trying to find a way to be heard (by myself first, by others second).

When I was about seven or eight-years-old, I revealed to my mom my dream (my grand life’s plan was all laid out in my mind and it seemed so simple back then to just know in your heart that you were going to do a thing and not question it at all). I was going “to make $100,000 a year,” I told her. And I was going to buy her a huge house and give her and my dad a whole heap of money (as an aside, I was reminded last year by my aunt who is now in her eighties that I had apparently promised great sums of money to other members of my family as well . . . oops).

How, my mom wondered, was I going to manage this.

It should be noted that back when I was eight-years-old settlers were still bartering with glass beads and animal pelts, so that annual salary was quite a lofty goal.

“I’m going to be an actor,” I said.
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Stories I Inherited

Hobos Walking the Rails

Hobos (Bindle Stiffs) Walking the Rails

What we see depends mainly on what we look for.” – John Lubbock

There are two small scenes in my favorite novel, To Kill a Mockingbird, that reveal a truth I had never contemplated until I was in my twenties: how we tend to see the people in our lives who were here before us only as the person they are to us, not as someone who’s lived another life.

It’s a perspective thing.

The first scene I’m alluding to is when Scout and Jem watch their dad, Atticus (the man they perceive as so-old-he-can’t-play-football-or-do-much-of-anything-worth-doing-outside-a-courtroom), as he’s asked by Sheriff Tate to shoot a rabid dog and Atticus does this seemingly impossible feat with his one and only shot.

The surprising prowess Atticus demonstrates in that scene, of course, is juxtaposed against his inability to win the larger battle he’s currently fighting, but through the responses of Jem and Scout it also reveals how, when we’re born, we enter into all these other lives.

We just tend to get so caught up in our own that we don’t often recognize the parts of our story that came before us.

And how would we even know to look?

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The Birth of a Story

An Interesting Pattern

Patterns

At first, I thought this blog might be about the journey of writing a novel from start to finish. You know, a log so to speak about what it’s like to build Xero’s novel from the first word up, then try to get it published (which is one of my intentions for him).

Only I didn’t think of recording the whole process until I was halfway through the first draft (and now here I am working on final revisions, so it might be a bit late to get started on that).

Instead, I think I’ll just share with you bits and pieces from the process, starting back at the beginning (not my beginning, but Xero’s).

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Write Side Up

Our Go-Karts Didn't Have Sails

Like This Example, Our Go-Karts Were Made From Scraps, But Ours Didn’t Have Sails


Write Side Up
seemed like the perfect name for this blog because it’s taken me a lifetime to get here, but this thing, writing, is me finally getting it right. It’s the first thing I’ve ever done that allows me to just be all me all the time. It’s me doing what I believe I’m called to do.

I love the blog’s banner photo up top. Monica, who did such an awesome job designing the site, made that choice and I had to laugh out loud when I first saw it like that.

It’s me and my little sister back in what was my favorite house growing up – one that will make it’s way into many of my stories. Of course, if we didn’t move from that house to the next one, I might not be writing MG & YA Fiction, so I’m not complaining. We moved when I was nine. Those next eight years play a big part in what I write. But I’ll get to all that later.

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