For Love of Art

Other Cool Birds "Painted Egret" by Gretchen Deahl

Other Cool Birds “Painted Egret” by Gretchen Deahl

“Art enables us to find ourselves and lose ourselves at the same time.” – Thomas Merton

I’ll admit this up front. I don’t know art lingo. I’m not familiar with technical traits that make a work of art a “masterpiece” aside from the way it makes me feel, and perhaps think, but mostly feel.

Last weekend a new project of mine took flight, one that’s been fluttering around inside the cave of my head for a couple years now. It has to do with my appreciation for art. For the way art impacts my life.

Art in its various forms is an expression of the self, a communication through a unique language (whether that’s actual words used by writers, or images or sounds or movement). I appreciate all types of art, from literary to dance to musical to visual, for the same reason and for different reasons as well. The primary reason, however, is the way it makes me feel.

My new project, called Other Cool Birds, is my attempt to pay homage to artists working in all those aforementioned media through one – visual art.

Not the visual art, I create, but visual art I have come across and have brought together for the purpose of creating a virtual forest where artists gather to share their unique and sundry voices.

Plain and simple, art relies on emotion, evokes emotion, is a means of communicating emotion . . . a way of connecting audience and artist, of connecting the imagination and memory and ideas of one to the other.
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The Things We Learn From Kids

JOY by Symphony of Love

JOY by Symphony of Love

Not intending to downplay the words of wisdom my parents have shared with me over the years, but I recently realized that all you have to do is study a child to learn everything you’ll need to know about how to live. Truly live, that is.

I’m not talking about elements of survival like how to get your own food, but more about how to be happy.

Of course, when you’re a child the last thing you’re going to do is intentionally study one of your colleagues to learn a thing or two. The whole center of the universe thing can get in the way of that and is, perhaps, the one downside to my theory.

But before we chuck it altogether, consider what follows.

As an adult, I have been reminded about some of the essential ingredients to living a happy, fulfilled, compassionate life.

Here are just some of the things we can learn from kids:

Unbridled Joy
Love
Kindness
The Essence of Play
Anything is Possible
How to Live Creatively

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Friends

Mickey McKay & Frank Conifrey - Lenox Hill Settle't [i.e., Settlement]

Mickey McKay & Frank Conifrey – Lenox Hill Settle’t [i.e., Settlement]

“Words are easy, like the wind;
Faithful friends are hard to find.” ― William Shakespeare

As a boy, even with best friends, there’s sometimes very little distance between a fist bump and a fist fight. At least that’s how it was for me growing up.

When you’re seven, eight, even nine-years-old, it doesn’t take a lot to turn all that get-up-and-go fueling your youthful exuberance into scowling proclamations of “take that back!”

As adults, a fight between friends can often turn into something much more dramatic and much more personal. There also tend to be less split lips and more ugly words or all-out avoidance. Of course, when adult friends have a moment, it can also seem like nothing at all – no blood drawn, no feelings hurt, just a word or two, an honest reminder, a respectful, loving, setting straight.

I’ve mentioned it before, but it bears repeating. I’m a very lucky guy.

I have some of the most remarkable friends. Ever!

It’s true. Scientists and Historians are still shaking their heads in disbelief. A few of my closest chums have been friends of mine for two or three decades. That’s right, they’re slow learners.

I had some great friends as a boy too, before we moved. It’s that in between time that was a bit more problematic, so it’s no wonder that’s the time I tend to write about.

One of my absolute favorite things to do as a writer is create the protagonist’s friends.

Without consciously setting out to do so, I’ve found that I imbue these fictional sidekicks with many traits my childhood possessed and my adult friends possess. Characteristics like pluck, curiosity, empathy, spunk, humor, and perhaps a slight propensity for mischief (like Webb) or nerdy interests (like Swatch).

Here are a handful of my favorite quotes about friendship (see if you agree with them or disagree):

“A friend is someone who knows all about you and still loves you.” – Elbert Hubbard

“What is a friend? A single soul dwelling in two bodies.” ― Aristotle

“Silence make the real conversations between friends. Not the saying, but the never needing to say that counts.” ― Margaret Lee Runbeck

“Each friend represents a world in us, a world possibly not born until they arrive, and it is only by this meeting that a new world is born.” ― Anaïs Nin

“We’ll be Friends Forever, won’t we, Pooh?’ asked Piglet.
Even longer,’ Pooh answered.” ― A.A. Milne, Winnie-the-Pooh

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New Harmony Writer’s Retreat

Creativity is a type of learning process where the teacher and pupil reside in the same individual. ~ Arthur Koestler by bitesizeinspiration

Creativity is a type of learning process where the teacher and pupil
reside in the same individual. ~ Arthur Koestler by bitesizeinspiration

“Creativity is contagious, pass it on” – Albert Einstein

What a great thing to pass on!

While I was in grad school I met (and made) a wonderful friend in fiction writer Terry Price. He’s the epitome of a Southern Gentleman: polite, kind, compassionate, and always ready to help others. I think I saw much of my favorite parts of myself in him (at least the parts I hope I possess), accept the dude has one awesome accent and so much southern charm all he needs to do is smile and he’ll sweeten your afternoon tea.

His nickname is Sunshine for a reason.

One of the first things Terry and I did, without any actual coordinated plan to do so, was interact with writers from all the genres at Spalding (poets, fiction writers, non-fiction scribes, playwrights and screenwriters) and try to bring them all together. It just seemed a natural extension of who were were (and are).

Even today, we both agree, some of the best parts of our time at Spalding were those hours spent mingling with such a mix of creatives.

At Ucross, I was able to experience something similar, only this time I was able to engage with artists who worked in other media (visual artists, musicians, as well as writers). It’s difficult to convey how electric and invigorating that is.

In addition, at Ucross, I got a taste of just how succulent this thing writing is when given uniterrupted time and space to devote to it. I can’t even express how wonderful that is, but imagine being given a chance to just immerse yourself fully into that one part of yourself that calls to you the most (often the part you tend to ignore or put off or not listen to as much as you’d like).

Terry and I started the Round Table on Facebook in an attempt to encourage other creatives to pursue their dreams. We had been throwing down our own gauntlet back and forth and we decided why not include others.

Our intention is to spark others into being true to themselves and into giving themselves permission to follow their calling (if not full-time, at least some of the time).

Shavasana During Morning Yoga

Shavasana During Morning Yoga

Three years ago we decided to create a retreat that offered time and space for writing (and for other creative endeavors), while also sharing some of the techniques and tools that have helped us make our creative life part of our everyday life.

They really are the same, after all, we just tend to learn by the time we reach adulthood to block out that call to create.

And that can lead to a sense that something’s missing, feelings of frustration and of being unfulfilled, as we unintentionally ignore an essential part of who we are.

As Picasso put it, “Every child is an artist. The problem is how to remain an artist once we grow up.”

That’s what the West of the Moon Retreat is all about. Providing fellow creatives the opportunity to remain (or to return to being) an artist as a grownup.

There’s time and space to write, morning yoga to get you into a flow, an abundance of creativity energy, and a wonderful spirit of community.

Check out the new website here. And if you have any questions, contact Terry or me through the contact page. Regardless of whether or not you can attend a retreat or create one for yourself at home, give yourself a little time to listen to that deep down part of yourself. And keep after it!


Creativity is a type of learning process where the teacher and pupil reside in the same individual. ~ Arthur Koestler by bitesizeinspiration is used via the Create Commons License on Flickr

Writing Sample from Xero

Closing Doors - Rusty Knob #2 in Black and White by Bitzcelt“Every artist dips his brush in his own soul, and paints
his own nature into his pictures.” ~ Henry Ward Beecher

Nearly the entire time I’ve worked on my Middle Grade novel The Short Bus, I’ve thought the story has had little do with me personally. Recently, however, I realized that it has everything to do with me.

When I first started writing the book, I wondered what it would be like to be the most ordinary kid in the world. So ordinary that you were almost transparent. So average that you were forgettable.

Most people, after all, have at least one thing they do well. So what would it be like, I wondered, to be the kid who didn’t seem to do anything well?

In some ways, like Xero, I’ve felt invisible at times. As a boy, sure, but even as an adult.

Even recently, I experienced this very thing, at the same time, it turns out, that I was coming up with the idea for the novel. Like Xero, I wanted someone to see the one thing I did best. I tried to show it every way I could think of. In the end, though, that someone didn’t see anything at all.

The novel is about a boy who thinks it’s what you do that makes you extraordinary. He hasn’t learned yet that it’s really just a way you are. Sad to say, I don’t think I understood that myself until Xero showed me.

The following is a very brief writing sample, a short chapter from my Middle Grade novel, The Short Bus.

Bear in mind, it’s a chapter that didn’t exist until, well, just now. It’s brand new. In other words, it’s a rather rough draft. Still quite raw. I hope you enjoy it though.

Oh, by the way, since this is an excerpt from later in the novel, you might need a little backstory:

Xero is thirteen. He and his best friend, Webb, have made friends with a boy they call Knee Boots (an older boy named Kevin who suffered a Traumatic Brain Injury four years earlier). John is Knee Boot’s father and Mick is Xero’s brother. There was a recent confrontation at school between Xero and Mick and Knee Boots happened to be there. Witnessing the conflict upset Knee Boots due to what happened that terrible day in his past. Xero has gone to check on Knee Boots. To make sure his friend is okay.

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Why Write Fiction?

Books by Philip F Deaver

“After the family broke, 

and when the house was about to sell,

I walked around it for a last look.

Under the eaves, on the ground,

there was a path worn in the dirt,

tight against the foundation —

small padded feet, year after year,

window to window.” (excerpt from the poem “Gray” by Philip F. Deaver)

In addition to winning the Flannery O’Connor Award for Short Fiction and other prestigious honors, Philip Deaver’s work has been published by some of the finest magazines and has even appeared on NPR’s The Writer’s Almanac on multiple occasions (you can listen to Garrison Keillor read the poem “Gray” here – he starts the poem around the 2:43 mark).

As a graduate student, I had the good fortune of listening to Phil read selections of his wonderful poetry and his exceptional short fiction several times before I had the even better fortune of getting to know him as a person.

As good as his writing is (and it’s damn good), what has impressed me most about Phil is his sincerity, his generosity, and his compassion.

He’s not just a man in the sense of his being a husband, and a father, he’s also a guy.

I’m not talking about all that testosterone-laden machismo you see sometimes. I simply mean Phil has always reminded me of the men of my childhood, the hard working, blue collar men I grew up around. Yet infused in that down-to-earth persona is a strong, quiet sensitivity, a creativity and a tenderness and an intelligence. He’s quite a bright man, after all, yet spend some time with him and you’ll soon realize he’s also just one of the guys: the sort of person equally at home in the outdoors, on the sports field, in the classroom, or at the page.

If you spend some time with his work (and I strongly urge you to do so), you’ll undoubtedly find many of those same traits – an honesty, a truthfulness, a sensitivity, an earthiness, an authenticity that will have you feeling that “soaring mountain/wind lifting through the pine stand.”

There’s a personal element to Phil’s writing that is neither overly sentimentalized nor devoid of emotion, a sensibility that feels real and true. There’s a reason the New York Times wrote of his short story collection, Silent Retreats: “Written in vivid, spare prose, the best of these stories linger, sad and profound, like songs you sing to yourself.”

You’ll find yourself not merely immersed in a realistic tale, but also witness to “the heart of why” the story was written.

It’s my honor to offer a special Guest Post by Philip Deaver (not just a writer I admire, but a friend I admire) as he offers an intimate and thoughtful response to the question What Are You Writing For?

As a writer, it’s interesting to me how differently each writer approaches that question.

Of course, Phil’s post is also a response of sorts to a talk given by author Tim O’Brien last summer. Enjoy!
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Klutzy Me: Childhood Blunders and Other Disasters

Rescue Work - Dayton (Bain News Service, Publisher)

Flood – Rescue Work – Dayton (Bain News Service, Publisher)

“Never give a sword to a man who can’t dance.” – Confucius

Believe it or not, I’ve actually been called a good dancer (no, not by the guy in the mirror), but I admit, I’m not someone you probably want to give a sword to . . . unless, you know, it’s time to wield it, time to slay the dragon or defend the kingdom. I’ll be all in, then, focused on my movements, on the intention. My body might even cooperate then.

To just carry around, though, probably not such a good idea.

Even though I grew up playing sports, you could say I was a wee bit klutzy as a boy. I’m a bit suspicious, though, that my little sister crept into my room one night while I was sleeping and adjusted the controls to my center of balance.

No, I can’t prove that. Yet. But here’s what I mean.

SPILLED MILK

When I was about eight-years-old, my mom asked me to go to the store for some milk. Simple enough of a request, right?

The store, it should be noted, was a mere block-and-a-half away, other side of the street, on the way to my favorite hide-and-seek location, the cemetery.

This was back in the day of glass bottles and penny candy. It was the coolest store, and I have to find a way to get that store and the old man who owned it into one of my stories.

I rode my bike, because, you now, it was faster.

I had things to do, after all, like playing football or baseball in the street with my friends. Fortunately, my friends were all in their own houses at the time and were NOT waiting for me on my front stoop because THAT would have been mortifying, since, well, I sort of ran into a snag on the way home.
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So Long 2013, Hello 2014

New Year's Fireworks photo by Madeira Algarve

New Year’s Fireworks photo by Madeira Algarve

“Writing became such a process of discovery that I couldn’t wait to get to work
in the morning: I wanted to know what I was going to say.”  – Sharon O’Brien

Well, 2013 is officially over and 2014 is already under way.

I have to admit, 2013 certainly turned out a lot differently than how I thought it would when it started last January.

I learned some things this past year that were rather surprising and disappointing, but I was also reminded of a few important truths: people who truly care about you are genuinely glad for your success (regardless of how great or how small); they might not get what it is you’re trying to do, but they support you and encourage you anyway.

I was also reminded that challenges reveal a lot about the world we live in and a lot about ourselves.

It was much harder than I expected it would be to get my feet back under me again, but thanks to my family and to my friends, I managed to right the ship, so to speak, and to once again head in the direction of my dreams (slightly different dreams, or a different version perhaps, than I may have had to start the year).

That is love. That is a gift. That is why I am such a lucky man.
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The Gift of Generosity

Lafayette & Sis at ChristmasToday I’m going to write briefly about Christmas and the Gift of Generosity.

I don’t remember a lot about my childhood. I’m not sure why, I just don’t. Even less from my teen years. Perhaps, I’ve just tucked it all away somewhere. The events I recall most from my early years tend to be embarrassing and funny, though a few were frightening. I alluded to several of those last week in the list that appears at the end of this post and I’ll get to those incidents after the holidays.

Two things I do remember from my childhood, though, are how my family showed me the importance of GENEROSITY in the things they did, and CHRISTMAS.
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Family, Friends, and Our Stories: Continued

famsmallIn the beginning, FAMILY is pretty much all we know.

While we’re infants, they’re perceived as an extension of us (in regards, mostly, to how they meet or neglect our basic, inherent needs).

Most of the early truths and discoveries we make are learned through our experiences with family. Our values, our beliefs and attitudes, are influenced by them (as we grow to accept or to resist theirs).

As we age, as we approach and then navigate the muddy waters of adolescence, our FRIENDS assume a much larger role in shaping us (or at least in influencing how we shape ourselves) into the people we’ll become.

All of this may be true. All of it may, and does, and will influence our stories.

But, as Willa Cather stated: “most of the basic material a writer works with is acquired before the age of fifteen.” I can say that most of my personal stories, most of the memories I draw upon when I write, are from that time in my life. They’re related to experiences I had with my family, and adventures I had with my friends back then.

A few of them, in particular, have in some way influenced the novels I’ve been working on recently, but not in the ways you might think. Not for the events themselves, in most cases, but for something more.

Here are a few specific events I recall from when I was between six and nine years old:

The Great Carpet Incident
Broken Bones & Concussed Noggins
Shattered: Or Wrong Place, Wrong Time, Wrong Body
The Land of Up & So Much Falling
Climbing the Walls
Rooftops & Hurricanes

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